Object Tracker: The feature we’ve been waiting for, for more than 10 years! Nevertheless, the main two new features of FCP 10.6 are supposed to work perfectly on previous models as well.
As stated by Apple: “Creators can now do advanced editing, color grading, and delivery in HDR on 8K ProRes video - even when they’re miles away from the edit bay”. Apple wants you to edit multiple layers of 8K streams on the M1 Pro and M1 Max new MacBook Pros. Picture: Ripple Training Final Cut Pro 10.6: Utilization of M1 Pro and M1 MaxĪccording to Apple, the new version of FCP (Final Cut Pro) 10.6 takes full advantage of the new chips that were announced two days ago. The guys at Ripple Training show us how it’s done. Nevertheless, Apple made it so straightforward, simplified, and insanely user-friendly. FCP users have been waiting for this Tracker for more than 10 years. The 10.6 version allows two new and exciting features, which are the Cinematic Mode, and the other is one of the most important features in an NLE, and that’s the Object Tracker. Use the coupon code “josh15” for 15% off the first term of any Premium Color library subscription.Apple has introduced a new version of its NLE (Non-Linear Editor), Final Cut Pro.
Learning to work in a client driven environment.How the Fairlight page effects colorists.Working with and without a color control panel.
How writing increased his color knowledge and skills.The complicated path in becoming a colorist.There’s a ton of great info and I didn’t want to lose any of it. So long, in fact, that I’ve decided to split it up into two separate episodes. This epic podcast was one of the longest I’ve recorded yet. He’s also created several training titles with Ripple Training, featuring the newest features in Resolve.
Many listeners will recognize Alexis’s book titles, “The Color Correction Handbook” and “The Color Correction Look Book,” as well as the manuals for Apple Color, Final Cut Pro, and DaVinci Resolve. Along with grading his own projects, he’s finished programs for The History Channel, The Learning Channel, BBC Four, and WNET. Ultimately, each of those steps in his journey contributed to his skills as a colorist. He bounced around from audio, editorial, graphics, and visual effects. There’s been many twists and turns in the career of Alexis Van Hurkman. This episode is sponsored by Colorist Society International and .ĭirector, writer, and colorist, Alexis Van Hurkman joins me on this episode of the Colorist Podcast.
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